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Music Studio Los Angeles Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Los Angeles Music Center - The Los Angeles Music Center (its actual name is the Performing Arts Center of Los Angeles County) is a complex of four entertainment venues located on Grand Avenue in downtown Los Angeles, California, United States. Studio City, Los Angeles, California - Studio City is a district in the San Fernando Valley in Los Angeles, California. It is bounded roughly by Ethel Ave. CBS Studio Center - CBS Studio Center is a television and film studio located in Studio City, California (located in Los Angeles' San Fernando Valley section). It is one of three studio facilities owned by CBS located in the Los Angeles area, and the others include Television City (located on Los Angeles' West Side, near Hollywood) and Columbia Square in Hollywood, which serves as the home of the network's local broadcasting properties. The Battle of Los Angeles - The Battle of Los Angeles is the third studio album by Rage Against the Machine. It was released on November 2, 1999, one day short of the seven-year anniversary of the release of their first album, and over three years after their second studio album, Evil Empire. musicstudiolosangeles2005. 2005. All rights reserved. - (studio) El Reloj Cucu - (studio) Falling Star In Your Eyes - (studio) De Pies A Cabeza - (studio) Dejame Entrar - (studio) Rayando El Sol - (studio) Todos Los Pubis Juntos - (studio) Infamia - (studio) Carmen, Divina, Productor - (studio) Soledad - (studio) Superheroes - (studio) Estoy Agotado - (studio) Te Llore Un Rio - (studio) Soledad - (studio) Somos Novios - (studio) Como Dueles En Los Labios - (studio) Ana - (studio) Mi Angel - (studio, with Los Ninos De Sara) Vivare Para Ti - (studio, with Gipsy Kings) Quiero Saber - (studio, with Los Ninos De Sara) Bamboleo - (studio, with Los Ninos De Sara) Sarah - (studio, with Los Ninos De Sara) Cae La Nieve - (studio, with Los Ninos De Sara) Romance Anonimo - (studio, with Los Ninos De Sara) Vivare Para Ti - (studio, with Los Ninos De Sara) Santa Maria - (studio, with Los Ninos De Sara) Romance Anonimo - (studio, with Gipsy Kings) Quiero Saber - (studio, with Gipsy Kings) Duende - (studio, with Gipsy Kings) Rumba Del Sud - (studio, with Los Ninos De Sara) Romance Anonimo - (studio, with Gipsy Kings) La Cubanita - (studio, with Los Ninos De Sara) El Nino Del Viento - (studio, with Gipsy Kings) La Cubanita - (studio, with Gipsy Kings) I Know (Ed. Located on the Los Angeles - (studio) Como Te Extrano Corazon - (studio) Corazon
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